![]() It’s hardly surprising then that the song sprang to mind during the sessions for the Haggard and Nelson project, nor that Chips would aid and abet in Willie’s own solo version. Chips felt the embryonic tune needed a bridge, the duo turning to session musician Mark James – then on the American Sound payroll – before Moman recorded the finished demo. It had actually been composed in his office by Wayne Carson, who was recording at American Sound at the time. In late 1971, Moman was the first person outside its writers to hear Always on My Mind. A financial falling out with founder Jim Stewart led to Moman setting up his own studio – American Sound – in the Bluff City and forming a long-lasting partnership with songwriter Dan Penn, both of which would pay dividends in the years that followed. The Georgian had cut his teeth on the road in the 1950s touring with Gene Vincent and Johnny Burnette, before relocating to Memphis to work with the nascent Stax operation. The impetus for this came from Moman himself. This time around, they would try to do the same thing to songs from two different genres entirely: rock and soul. On Stardust - while working with Booker T Jones of MGs fame - Willie had taken a set of tunes from the Great American Songbook and recast them in his own image. With that in mind, Nelson and Moman went straight into the studio to try and capture lightning in a bottle for a second time. ‘Always On My Mind’ bowled me over the moment I first heard it, which is one of the ways I pick songs to record”. ![]() Looking back at this moment in his autobiography, Nelson recalled “We’ll never know what would’ve happened if Merle had really heard the song right. Willie disagreed, going ahead with his own solo version, inadvertently making a start – albeit unknowingly – on his next project. The producer, Chips Moman, suggested that the pair record ‘Always on My Mind’ - Haggard rejected it outright. They give you artistic pause, a chance to reflect, to reconsider and to redefine what you might want to do in the next phase of your career.įor Nelson, that came during the preparation of his 1983 classic with Merle Haggard, Pancho & Lefty. The thing about huge selling compilation albums – particularly ones that dominate the charts for most of the year - is that for the artists concerned, they serve two purposes: as an end and therefore a beginning. It remains the single best introduction to his work on the market today. That turned out to be 1981’s Greatest Hits (And Some That Will Be), a twenty track-double album that summed up Nelson’s career up to that point. They were generally well-received and sold respectably, but they weren’t really the thing. By some distance the biggest album of his career, he followed it up with an eclectic mixture of film soundtracks, collaborations, gospel music, western swing and a Christmas record. Since 1978, Nelson had struggled to match the genre-busting success of his album Stardust. Clearly, people liked it, but they enjoyed its parent album even more.Īlso titled Always on My Mind, the album spent five years on the Billboard Country Album Chart, effectively opening up a whole new phase for Nelson in the process. It was the best-selling country single of the year, collecting the CMA Song of The Year in both 19 and winning three Grammys, including the Best Country Vocal for Nelson. Released in the March of ’82, Always on My Mind – already a staple hit for Elvis Presley a decade before – hit the top spot in May, staying on the charts for 21 weeks. It's just a feeling that I get.Forty years ago, Willie Nelson was beginning his ascent to the top of the country charts with the song that would become his biggest ever hit. ![]() It feels like a song that can be played on world sports events such as the World Cup, I think about happy times despite the melancholic ways of its lyrics. ![]() He's the real bonus of this nice clip the real deal comes from the vibration, the rhythm, the melody of the music which neverĬeases to amaze me. Ackland is a true fun as the passenger, I always think he's in a deep state of drunkness which makes his incoherent rambling the more fun - and at the ending he singsĪ portion of another Pet Shop Boys song. Situations and that's pretty much it all played out in the usual 1980's style. He wants to go, and the radio stereo plays this amazing song shifting the "storyline" to strange artistic images of a plane flying, the band duo appearing in eccentric Here, Neil Tennant and Chris Lowe attend the request of an eccentric passenger (veteran character actor Joss Ackland) who wants them to take him to whatever place Not sure if he everĭid a music video for it but Pet Shop Boys did in a great spectacular way, making one of their greatest hits and one of my favorite musical moments of all time. When the remake is way better than the original and I'm talking about the everlasting song famous in the voice of the great Elvis Presley.
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